Creative Industries and the Urban Environment (2018-2019)
Over the past ten years, Durham has witnessed a boom in a number of key cultural initiatives including the Durham Performing Arts Center, Golden Belt, 21c Museum Hotel and RUNAWAY clothes. These cultural productions have not only been seen as enriching the city’s image, but have also attracted other creative ventures. Further, Duke University has contributed greatly to the cultural development of Durham through such sites as the Nasher Museum of Art and the new Rubenstein Arts Center.
This Bass Connections project will examine the relationship between urban development and cultural production in Durham. Richard Florida’s The Rise of the Creative Class (2012) ranked Durham number one in highest concentration of creative class workers (researchers, musicians, artists and others). The project team will assess Florida’s methodology, especially where it is applied to Durham, and consider whether creativity in the city fosters economic prosperity.
In order to establish whether there is an observable relationship between creative industries and economic growth in Durham, and to foster an interdisciplinary network of students and scholars interested in the study of cultural industries and art markets, this team will:
- Develop new metrics to gauge the correlation and causation between creative production and economic growth in Durham
- Assess the methodological usefulness of Richard Florida’s creative class theory against the opposing urban economic theories of Edward Glaeser (Harvard, Economics Department) on the Durham micro level
- Create new measurements to define more precisely the Talent, Tolerance and Technology indices
- Create new scientific knowledge on the dynamic relationships between creative industries and economic growth that can be useful both in academic research and urban cultural policy.
The team will also collaborate with Durham City Hall, local cultural industries, artists and designers on a series of rotating exhibitions.
Original data collection and analysis; reports on relationship between creative industries and economics in Durham; spring symposium with invited speakers; interdisciplinary network of students and scholars interested in study of cultural industries and art markets
Fall 2018 – Spring 2019
- Fall 2018: Workshops on data gathering, analysis and visualization; begin gathering, cleaning and visualizing data; begin weekly discussions on contextual and theoretical sources relevant to relationship between cultural industries, art markets and economics; organize spring symposium
- Spring 2019: Continued research; plan and execute Creative Industries and the Urban Environment Symposium
This Team in the News
See earlier related team, Creative Industries and the Urban Environment (2017-2018).
- Kaylee Alexander, Trinity - Art, Art History and Visual Studies-PHD
- Fiene Leunissen, Arts & Sciences-Art, Art History, and Visual Studies
- Eric Monson, Duke Libraries
- Hans van Miegroet, Arts & Sciences-Art, Art History, and Visual Studies
/graduate Team Members
Felipe Alvarez de Toledo, Art and Art History-PHD
Cynthia Amelia, Master of Engineering Mgmt-MEG
Bozhena Etin, Liberal Studies-AM
/undergraduate Team Members
Tatiana Ermakova, Economics (BS)
John Fitch, Mathematics (BS), History (AB2)
Marina Frattaroli, Art History (AB), Religion (AB2)
Nalini Gupta, Economics (BS), Computer Science (BS2)
Erin McDermott, Political Science (AB)
Yunhao Qing, Computer Science (BS)
Holly Ren, Public Policy Studies (AB)
Alicia Sun, Public Policy Studies (AB)
Hannah Wolfe, Art History (AB)
/yfaculty/staff Team Members
Patrick Herron, Arts & Sciences-Art, Art History, and Visual Studies
Lee Sorensen, Duke Libraries